The expressionist silent film "The Cabinet of Dr. Caligari" from 1920 is a complex, confusing and frightening masterpiece. The digital production "Cesare’s Dream – In the Cabinet of Dr. Caligari" from 2019 is an homage to the immersive aspects of this film using new technology.The aim is to take the user into a dreamlike world, in which set pieces from “The Cabinet of Dr. Caligari” can be experienced. The dream here is the logical complement to sleep, which is an important element in the film. The virtual dream experience represents aspects of freedom as well as dependence for the user at the same time. Freedom in the angle of vision, in reception and in dealing with dream images. And lack of freedom in the fact that the presented scenario itself cannot be influenced. Part of this dream is dependence: Cesare is a creature dominated by Dr. Caligari.The 1920 film knew in a fascinating way how to deal with the limitations of silent filmmaking and the camera technique of the time. On behalf of the Goethe-Institut Warschau and in association with ZDF/ARTE, UFA X accepted the challenge of exploring the new possibilities of the still young technology of volumetric video technology and making the silent film classic a virtual experience. Step inside and have a look for yourself! A dreamlike experience awaits you.“Cesare’s Dream – In the Cabinet of Dr. Caligari” is based on the VR Experience “Cesare’s Dream VR” which is an UFA X / UFA production for the Goethe-Institut Warschau in association with ZDF/ARTE.

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在解读电影之前，现说说海外版本和内地版本的不同。几乎和之前预测的一样，乔和奥本的床戏部分，乔的身体镜头大部份进行放大裁切处理，小部分被p上了裙子。放大裁切的镜头可以明显看的出分辨率变低，至于p上去的裙子由于是导演亲自监督制作，比《水形物语》里的小黑裙走心很多，裙子一次是暗黑色一次是黑色，并且有了衣褶和细节。这些修改对于观感影响是非常明显，两个刚刚云雨完了的情侣，男的还没穿衣服，镜头一转女人却穿着衣服，感觉很奇怪。另外第三场裸露镜头是奥本在原子能委员会审查现场，他和乔赤诚相

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该片讲述了陈安为了保护自己的家人，在一宗交易中意外搅入了洪泰集团的故事。他的出现让原本波澜不惊的生活变得波澜壮阔，各种势力也开始暗中角力。麦朗汶和马文康虽然来自不同的阵营，但他们的目标都是陈安。

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一路看到集，跟妹妹开玩笑说是一部孩子不断气死自己父母的故事。这部片子最戳动我的不是这群孩子超级真实的高三，而是这群四十多的中年人每天劳累于家庭孩子和工作。当我看到方圆因为金庸先生的过世而哭着说自己小时候的武侠梦的时候，我能够被他眼泪背后的挫败和压力惊到；当我看到英子和宋倩因为燕窝汤和乐高大哭崩溃吵架的时候，我陷入了两难，单亲妈妈真的很辛苦，可是的孩子连坚持兴趣都不可以又真的很可悲；季杨杨控诉父亲为了官途而强迫自己道歉却被打了一巴掌，父母孩子的思维是真的不一样，明明我

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该剧是一部极具艺术价值和现实意义的电影，通过讲述一个真实贪腐案件，展现了香港反贪斗争的历程和成果。影片对人物性格的刻画和情节的安排都十分巧妙，让人印象深刻。