Fabulous dreamlike movie.The drama of in-communicability as never before,and never after.A couple ,Montand and Aimée, feels that their love is becoming a thing of the past.He is a linguistics professor,he reigns over words and culture;she does not understand the language they speak in this part of Belgium. One night,both take a train;suddenly it stops.Anne (Aimée) has disappeared ,and Matthias (Montand) gets out of the train.With two unknown guys,he sees the train silently and slowly moving ,like in a dream.The dream has begun.Matthias and his two mates are left alone in the country.They arrive in a small village where,that crowns it,the university professor cannot understand a single world of the inhabitants' language.A very strange scene shows the three men coming into a tiny movie theater.On the screen,an odd,almost worrying film is projected:a parachutist floating in the air,sometimes shot in close-up,with an almost unbearable soundtrack.The audience seems to live in another world.Not only Matthias does not understand the language,but he does not understand their entertainment either .Then they go to a restaurant ,the staff of which seems to wait for them.Maybe..When he returns to reality,Matthias will find out how selfish he has been with Anne.But it's a movie you can interpret in accordance with your sensitivity.Never a director has gone so far in intertwining dream with reality.The incommunicability of Matthias and the strange people of his dream is a metaphor of that of the two lovers.But ,because of the harrowing conclusion,which leaves the audience totally hopeless,perhaps this dream was an escape,or a way to delay what was ineluctable.André Delvaux gave us the best European movie of 1968.

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说真的，这一季我不怎么喜欢，国外电影、电视没有性的非常少，但龙母跟雪诺这也太扯了，第六季虽然也猜到他们要在一起，但心里还是很希望导演千万别这么干，所以感觉一点创意也没有，而且是乱伦，其实这种史诗般的剧完全可以放弃性，相对而言我更喜欢艾丽娅和无面人这条故事主线，喜欢二丫复仇的桥段。感觉二丫的故事都可以直接拍部电视剧了。然后就是珊莎应该黑化才更有意思，经历过太多伤痛的人变强变冷血才是这个人物最有意思的人设，总之对第七季有点失望。

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“我在这里啊~就在这里啊~惊鸿一般短暂，像夏花一样绚烂~”——《生如夏花》对于成年人来说，梦想究竟是生活的毒药，还是解药，抑或两者皆是？《飞驰人生》讲述的便是这样一个故事，被一个又一个失败围困的人生，应该怎样找到出口。电影给出了两个选择，直面失败与再次奋起，两者未尝不都是勇敢的表现。依然可以从电影中发现韩寒式的幽默金句，但是他的视角跳脱出了小镇青年的舒适区，没有人可以永远年轻，都即将或正在面对生活的毒打。沈腾饰演的张驰在第一部结尾以无畏的方式获得

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潘雁秋在李博宇去世后，为了维持家庭生计，重新找了一份工作。虽然生活依然很难，但她始终坚信，只要自己坚持下去，就能够给女儿一个更好的生活。

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